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Oil Paintings
Come From United Kingdom
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Jacob Jordaens Flemish Baroque Era Painter, 1593-1678
Jacob Jordeans was born on May 19, 1593, the first of eleven children, to the wealthy linen merchant Jacob Jordaens Sr. and Barbara van Wolschaten in Antwerp. Little is known about Jordaens's early education. It can be assumed that he received the advantages of the education usually provided for children of his social class. This assumption is supported by his clear handwriting, his competence in French and in his knowledge of mythology. Jordaens familiarity with biblical subjects is evident in his many religious paintings, and his personal interaction with the Bible was strengthened by his later conversion from Catholicism to Protestantism. Like Rubens, he studied under Adam van Noort, who was his only teacher. During this time Jordaens lived in Van Noort's house and became very close to the rest of the family. After eight years of training with Van Noort, he enrolled in the Guild of St. Luke as a "waterscilder", or watercolor artist. This medium was often used for preparing tapestry cartoons in the seventeenth century. although examples of his earliest watercolor works are no longer extant. In the same year as his entry into the guild, 1616, he married his teacher's eldest daughter, Anna Catharina van Noort, with whom he had three children. In 1618, Jordaens bought a house in Hoogstraat (the area in Antwerp that he grew up in). He would then later buy the adjoining house to expand his household and workspace in 1639, mimicking Rubens's house built two decades earlier. He lived and worked here until his death in 1678.
Jordaens never made the traditional trip to Italy to study classical and Renaissance art. Despite this, he made many efforts to study prints or works of Italian masters available in northern Europe. For example, Jordaens is known to have studied Titian, Veronese, Caravaggio, and Bassano, either through prints, copies or originals (such as Caravaggio's Madonna of the Rosary). His work, however, betrays local traditions, especially the genre traditions of Pieter Bruegel the Elder, in honestly depicting Flemish life with authenticity and showing common people in the act of celebratory expressions of life. His commissions frequently came from wealthy local Flemish patrons and clergy, although later in his career he worked for courts and governments across Europe. Besides a large output of monumental oil paintings he was a prolific tapestry designer, a career that reflects his early training as a "watercolor" painter.
Jordaens' importance can also be seen by his number of pupils; the Guild of St. Luke records fifteen official pupils from 1621 to 1667, but six others were recorded as pupils in court documents and not the Guild records, so it is probable that he had more students than officially recorded. Among them were his cousin and his son Jacob. Like Rubens and other artists at that time, Jordaens' studio relied on his assistants and pupils in the production of his paintings. Not many of these pupils went on to fame themselves,however a position in Jordaens's studio was highly desirable for young artists from across Europe. |
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Jacob Jordaens Jacob Jordaens mk52
c.1645-9
Oil on canvas
81.5x59cm
Alte Pinakothek,Munich
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Jacob Jordaens An Offering to Ceres mk61
Oil on canvas
165x112cm
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Jacob Jordaens The Artist and His Family in a Garden mk61
c.1621
Oil on canvas
181x187cm
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Jacob Jordaens The King Drinks Celebration of the Feast of the Epiphany mk60
Canvas
60x80 1/4"
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Jacob Jordaens The Four Evangelists mk60
Canvas
53x46 1/2"
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Jacob Jordaens Pieta mk61
Oil on canvas
221x169cm
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Jacob Jordaens Madonna and Child Wreathed wih Flowers mk65
ca.1618
Oil on canvas
41x29"
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Jacob Jordaens Borthers,and Sisters mk65
ca.1615
Oil on canvas
69x54"
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Jacob Jordaens Neptune Creates the Horse mk67
Oil on canvas
26 3/8x51 9/16in
Pitti,Palatine Gallery
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Jacob Jordaens Allegory of Fettility mk86
c.1622
Oil on canvas
180x241cm
Brussels,Musee Royaux des Beaux-Arts
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Jacob Jordaens The Family of the Artist mk86
c.1621
Oil on canvas
181x187cm
Madrid,Museo del Prado
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Jacob Jordaens The Satyr and the Farmer's Family mk86
after 1620
Oil on canvas-covered panel
174x205cm
Munich,Bayerische Staatsgemalde-sammlungen,
Alte Pinakothek
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Jacob Jordaens Feast of the bean King mk150
c.1640/45
Canvas
242x300cm
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Jacob Jordaens Jesus Diving the Merchants from the Temple mk156
1645-50
Oil on canvas
288x436cm
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Jacob Jordaens The Bean King mk159
c.1638
Oil on canvas
157x211cm
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Jacob Jordaens The Virgin and Child with Saints Zacharias,Elizabeth and John the Baptist mk170
circa 1620
Oil on canvas
114x153cm
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Jacob Jordaens Portrait of Govaert van Surpele and his wife mk170
1636
1638
Oil on canvas
213.3x189cm
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Jacob Jordaens The Konig drinks mk186
around 1640 Paris muse you Louvre
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Jacob Jordaens How the old so pipes sang would protect the boys mk186
1638 Antwerp, Koninklijk museum voor arts
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Jacob Jordaens Allegory of Fertility Oil on canvas,
119 x 182 cm
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Jacob Jordaens
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Flemish Baroque Era Painter, 1593-1678
Jacob Jordeans was born on May 19, 1593, the first of eleven children, to the wealthy linen merchant Jacob Jordaens Sr. and Barbara van Wolschaten in Antwerp. Little is known about Jordaens's early education. It can be assumed that he received the advantages of the education usually provided for children of his social class. This assumption is supported by his clear handwriting, his competence in French and in his knowledge of mythology. Jordaens familiarity with biblical subjects is evident in his many religious paintings, and his personal interaction with the Bible was strengthened by his later conversion from Catholicism to Protestantism. Like Rubens, he studied under Adam van Noort, who was his only teacher. During this time Jordaens lived in Van Noort's house and became very close to the rest of the family. After eight years of training with Van Noort, he enrolled in the Guild of St. Luke as a "waterscilder", or watercolor artist. This medium was often used for preparing tapestry cartoons in the seventeenth century. although examples of his earliest watercolor works are no longer extant. In the same year as his entry into the guild, 1616, he married his teacher's eldest daughter, Anna Catharina van Noort, with whom he had three children. In 1618, Jordaens bought a house in Hoogstraat (the area in Antwerp that he grew up in). He would then later buy the adjoining house to expand his household and workspace in 1639, mimicking Rubens's house built two decades earlier. He lived and worked here until his death in 1678.
Jordaens never made the traditional trip to Italy to study classical and Renaissance art. Despite this, he made many efforts to study prints or works of Italian masters available in northern Europe. For example, Jordaens is known to have studied Titian, Veronese, Caravaggio, and Bassano, either through prints, copies or originals (such as Caravaggio's Madonna of the Rosary). His work, however, betrays local traditions, especially the genre traditions of Pieter Bruegel the Elder, in honestly depicting Flemish life with authenticity and showing common people in the act of celebratory expressions of life. His commissions frequently came from wealthy local Flemish patrons and clergy, although later in his career he worked for courts and governments across Europe. Besides a large output of monumental oil paintings he was a prolific tapestry designer, a career that reflects his early training as a "watercolor" painter.
Jordaens' importance can also be seen by his number of pupils; the Guild of St. Luke records fifteen official pupils from 1621 to 1667, but six others were recorded as pupils in court documents and not the Guild records, so it is probable that he had more students than officially recorded. Among them were his cousin and his son Jacob. Like Rubens and other artists at that time, Jordaens' studio relied on his assistants and pupils in the production of his paintings. Not many of these pupils went on to fame themselves,however a position in Jordaens's studio was highly desirable for young artists from across Europe.
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